Cinema Dream Network Classics: Volume Seven | Region-Free (Blu-Ray)
| Edition | Format | Price | Stock |
|---|---|---|---|
| Standard | Blu-ray | $11.99 | In stock |
Information about this release from the publisher
Title: The Sinful Adulteress (1974)
Alternate Titles: Yu mo, The Adulteress, 情魔, Sinful Woman, 欲魔, The Sex Maniac
Genre: Drama
Plot Synopsis:
Lin Meina, a young wife, is married to an older man who is unable to satisfy her desires. Feeling neglected, she becomes entangled in a series of illicit affairs. Her actions lead to a web of deceit, murder, and greed, exploring the consequences of unfulfilled desires and moral corruption.
Cast and Crew:
- Director: Ho Meng-Hua
- Writer: Cheng Yi-Hsun
- Cast:
- Chen Ping as Lin Meina
- Richard Chan Chun as Lu Zhiqiang
- Wang Hsieh as Lin Bocheng
- Kong Ling as Mrs. Chen
- Lau Wai-Ling as Lin Shanshan
Reviews from Letterboxd:
-
Simon Abrams – ★★★★☆
“A compelling portrayal of moral decay and its repercussions. The performances are raw and authentic.” -
yuhawahha – ★★★★½
“An intense narrative that delves deep into the complexities of human desires and the chaos they can unleash.” -
apartmenthxl – ★★☆☆☆
“While the story had potential, it felt disjointed and lacked depth in character development.”
Meta Description:
“The Sinful Adulteress” (1974), directed by Ho Meng-Hua, is a Hong Kong drama that explores the life of Lin Meina, a young wife trapped in an unfulfilling marriage, leading her into a spiral of infidelity, deceit, and crime. The film examines themes of desire, morality, and the consequences of one’s actions.
Title: Poaching by the Water (1990)
Alternate Titles: 馬と女と犬, Horse, Woman, and Dog, Uma to Onna to Inu, Ruff Sex, Poaching by the Water’s Edge, Horse and Woman and Dog, Horse and Dog and Lady, Horse, Woman, Dog
Genre: Drama, Horror
Plot Synopsis:
Set along a desolate seaside, the film follows three social outcasts: a woman who has killed her sister, a man with necrophilic tendencies, and a female amnesiac. The woman engages in sadistic acts, capturing young women at the beach and forcing them into degrading sexual activities, including interactions with animals. As their interactions become increasingly disturbing, the film explores themes of isolation, perversion, and the darker aspects of human nature.
Cast and Crew:
- Director: Hisayasu Satô
- Writer: Shirô Yumeno
- Cast:
- Kanako Kishi as Yūko Hayakawa
- Takahiko Kobayashi as Shin Kijima
- Kazuhiro Sano as Akira Migita
- Yuri Sasaski as Maki Yano
- Emi Uehara as Norie Kiyama / Sadistic woman
- Tatsuya Takahashi as Akihisa Tsuda
IMDb Link:
Poaching by the Water (1990)
Reviews from Letterboxd:
-
evilbjork – ★★★☆☆
“Hisayasu Satô’s most perverted and horrific film. It is an unholy film filled with bestiality and sexual violence. This film starts with what is probably the single most depraved scene I’ve seen from any of Satô’s films so far.” -
databaseanimal – ★★★★☆
“In a film full of falsified pasts, amnesia, and passive subservience, the only proclamation of truth resides within the appearance of a massive birth mark on the character of the amnesiac’s left foot…” -
Matt Winfield – ★★★☆☆
“Yet despite all the depravity, the most shocking thing of all is what an okayish movie this kind of ended up being? Color me surprised.”
Meta Description:
“Poaching by the Water” (1990), directed by Hisayasu Satô, is a Japanese drama-horror film that delves into the lives of three seaside outcasts—a murderous woman, a necrophiliac man, and an amnesiac female—whose interactions lead to increasingly disturbing and perverse events.
Title: Trilogy of Lust (1995)
Alternate Title: 血戀 (Blood Love)
Genre: Crime, Drama, Romance, Thriller
Plot Synopsis:
A sensitive young woman from mainland China is sold into marriage to a cruel fish dealer in Hong Kong. Subjected to his perverse desires and abusive behavior, she finds solace in an affair with a compassionate gardener. As their passionate relationship intensifies, they are compelled to confront the consequences of their actions, leading to a desperate escape from the authorities.
Cast and Crew:
- Directors: Julie Lee, Mou Tun-Fei
- Writers: Julie Lee, Lee Siu-Pang
- Cast:
- Julie Lee as the young woman
- Chan Wai-Dik
- Chan Wai-Lan
- Cheung Kwok-Yuen
- Lam Chi-Fei
IMDb Link:
Trilogy of Lust (1995)
Reviews from Letterboxd:
-
Rock – ★★★★☆
“Trilogy of Lust, the first Hong Kong hardcore picture I’ve seen, has a misleading title, to say the least. It’s not an anthology movie with three segments. It’s technically part of a trilogy, but from having seen the second film and what I could glean from the plot synopsis of the third, the movies don’t seem especially related (and indeed, the star of this one is only in one of the sequels).” -
kelly – ★☆☆☆☆
“…I feel traumatized by the ending.”
Meta Description:
“Trilogy of Lust” (1995) is a Hong Kong crime-drama directed by Julie Lee and Mou Tun-Fei. The film follows a young woman sold into a brutal marriage, who seeks escape through a passionate affair, leading to a perilous journey of love and survival. Note: This film contains explicit content and is intended for mature audiences.
Title: Symbol (2009)
Alternate Title: しんぼる (Shinboru)
Genre: Surrealist Comedy, Fantasy
Plot Synopsis:
A Japanese man in polka-dot pajamas awakens in a featureless white room with no doors or windows. As he explores, he discovers peculiar protrusions on the walls that, when pressed, trigger bizarre events and release random objects. Concurrently, in Mexico, a middle-aged masked wrestler known as Escargot Man prepares for a significant match, with his family expressing concern over his aging and the formidable opponent he faces. The film intertwines these two seemingly unrelated narratives, leading to an unexpected convergence.
Cast and Crew:
- Director: Hitoshi Matsumoto
- Writers: Hitoshi Matsumoto, Mitsuyoshi Takasu
- Cast:
- Hitoshi Matsumoto as The Man
- David Quintero as Escargot Man
- Luis Accinelli as Antonio’s Uncle
- Lilian Tapia as Antonio’s Mother
- Adriana Fricke as Karen
YouTube Trailer:
Symbol (2009) | Trailer
IMDb Link:
Symbol (2009)
Reviews from Letterboxd:
- Disgustipated – ★★★★½
“Who would have guessed that a wall full of Angel d*cks is the ultimate instrument of omnipotent power. Pure WTF cinema that can only have come from Japan. I seriously think that where MK Ultra left off, Japanese film school began. Symbol is simultaneously stupid, funny and clever. And I always appreciate a great fart joke. I liked it.” - Adrian Oli – ★★★★
“A white room full of d*ck shaped buttons. U click & shit happens. I have seen many claustrophobic horror but claustrophobic comedy? Wow this shit is creative.” - FilmKatt – ★★★★★
“Also, the thought that every action I take or any event that happens is controlled by an oblivious Japanese man trying to escape an endless labyrinth just sits right with me.”
Meta Description:
“Symbol” (2009), directed by Hitoshi Matsumoto, is a Japanese surrealist comedy that intertwines the story of a man trapped in a mysterious white room with the life of a Mexican wrestler preparing for a crucial match, leading to an unexpected convergence.
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