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Title: Season of Betrayal (1966)

Alternate Title: Uragiri no kisetsu

Genre: Drama

Plot Synopsis: A press photographer returns to Japan from the Vietnam War after losing his friend and fellow photographer on the battlefield. Haunted by his experiences, he becomes entangled in a series of deceptions and double-crosses, where war crimes are reenacted in Tokyo bedrooms as S/M scenarios. The film explores themes of trauma, exploitation, and the blurred lines between reality and delusion.

Cast and Crew:

  • Director: Atsushi Yamatoya
  • Producer: Kōji Wakamatsu
  • Writers: Atsushi Yamatoya, Yōzō Tanaka
  • Cast:
    • Yuzo Tachikawa
    • Shuri Taniguchi
    • Hatsuo Yamaya
    • Miharu Shima
    • Mikio Terashima

IMDb Link: Season of Betrayal (1966)

Reviews from Letterboxd:

  1. Daniel – ★★★☆☆ “Season of Betrayal is the first film directed by Atsushi Yamatoya. While perhaps most famous for collaborating with Seijun Suzuki and co-writing Branded to Kill, Yamatoya was also a close collaborator with Koji Wakamatsu and Masao Adachi. Wakamatsu produced Season of Betrayal through his own company and was involved in the planning and filming of it.”

  2. honkeur – ★★★★☆ “Extremely unpleasant but impressive film. A Japanese war photographer returns from the Vietnam War traumatized, and in the course of a nearly-incoherent plot built of confusing deceptions and double-crosses, war crimes are reenacted in Tokyo bedrooms as S/M scenarios. Savant sleazemeister Koji Wakamatsu has a credit as Producer, and the typical signature Wakamatsu qualities are here: bleakness, shoestring budget, gratuitous s&x and brutal violence between extremely distressed individuals.”

  3. hotsake – ★½☆☆☆ “Wakamatsu’s films are really hit or miss for me and this was a big miss.”

Meta Description: “Season of Betrayal” (1966), directed by Atsushi Yamatoya, is a Japanese drama that follows a war photographer’s return from Vietnam. Haunted by his past, he becomes entangled in a web of deception and reenacted war crimes, exploring themes of trauma and exploitation.

Title: Grand Guignol (1987)

Genre: Comedy, Drama, Horror

Plot Synopsis: Baptiste, the director of a struggling theater troupe, specializes in Grand Guignol—macabre horror plays filled with gore and shock. His wife, Sarah, weary of his morbid obsessions and the troupe’s unstable environment, decides to leave him in search of a more conventional life. However, she soon discovers that the real world is just as bizarre and phantasmagorical as the plays her husband directs, leading her to reconsider her departure. The film explores themes of reality versus illusion, the allure of the grotesque, and the complexities of personal relationships within the theatrical world.

Cast and Crew:

  • Director: Jean Marbœuf
  • Writer: Jean Marbœuf
  • Cast:
    • Caroline Cellier as Sarah
    • Guy Marchand as Baptiste
    • Michel Galabru as Charlie
    • Marie Dubois as Germaine
    • Jean-Claude Brialy as M. Albert

IMDb Link: Grand Guignol (1987)

Reviews from Letterboxd:

  1. man_in_bath – ★★★☆☆ “Sarah, the wife of a theater director, decides to leave her mutt of a husband because she is tired of his morbid fantasies…”

Meta Description: “Grand Guignol” (1987), directed by Jean Marbœuf, is a French comedy-drama-horror film that follows Sarah, the wife of a theater director specializing in macabre plays, as she grapples with the bizarre realities of life both on and off the stage.

Title: The Body Shop (1972)

Alternate Title: Doctor Gore

Genre: Horror, Science Fiction

Plot Synopsis:
Dr. Don Brandon, a plastic surgeon and mad scientist, is devastated by the tragic loss of his wife, Anitra. Determined to bring her back, he enlists the help of his hunchbacked assistant, Greg, to experiment with re-animation. Using hypnosis, Dr. Brandon lures young women to his lab, harvesting their body parts to reconstruct his beloved Anitra. As his obsession grows, the doctor’s methods become increasingly gruesome, leading to a macabre quest for resurrection.

Cast and Crew:

  • Director: J.G. Patterson Jr.
  • Writer: J.G. Patterson Jr.
  • Cast:
    • J.G. Patterson Jr. as Dr. Don Brandon
    • Jenny Driggers as Anitra
    • Roy Mehaffey as Greg
    • Linda Faile as Girl in the Trunk
    • Jan Benfield as Pam

IMDb Link:
The Body Shop (1972)

Reviews from Letterboxd:

  1. HalloweenHenry – ★★★☆☆
    “You know you’re in for a treat when the special introduction warns, ‘Don’t look for highly sophisticated filmmaking here.’ All fans of bizarre and awful cinema should add this flick to their watchlist.”

  2. Josh Lewis – ★★☆☆☆
    “A very strange, inept, and gory ’70s grindhouse ‘Bride of Frankenstein’ riff made for what appears to be zero dollars. Despite the gross premise, it lacks the weirdo ambition or imagination to elevate its basic technical deficiencies.”

  3. Bleeding Skull – ★★★☆☆
    “A vanity project from H.G. Lewis protégé J.G. ‘Pat’ Patterson, this is a splatter-filled reimagining of ‘The Brain That Wouldn’t Die’—just with more comb-overs, faux-artsy interludes, and early experimental electronica.”

Meta Description:
“The Body Shop” (1972), directed by J.G. Patterson Jr., is a horror sci-fi film about Dr. Don Brandon, a grief-stricken plastic surgeon who, after losing his wife, Anitra, embarks on a gruesome quest to reassemble her using body parts from unsuspecting victims.

Title: Dr. Minx (1975)

Genre: Comedy, Drama

Plot Synopsis: Dr. Carol Evans, a small-town physician, conspires with her lover, Gus, to murder her wealthy husband for his inheritance. When Gus begins blackmailing her for a share of the money, Carol seduces a young patient, Brian, hoping to enlist his help in eliminating Gus. As their plan unfolds, Carol becomes entangled in a web of deceit, murder, and suspicion, leading to unexpected consequences.

Cast and Crew:

  • Director: Howard Avedis
  • Writer: Howard Avedis
  • Cast:
    • Edy Williams as Dr. Carol Evans
    • Randy Boone as Brian Thomas
    • Harvey Jason as David Brown
    • William Smith as Gus Dolan
    • Marlene Schmidt as Harriet Thomas

IMDb Link: Dr. Minx (1975)

Reviews from Letterboxd:

  1. Stefano Monteforte – ★★☆☆☆ “Russ Meyer’s former wife Edy Williams plays a small-town physician named Dr. Evans in this sexploitation-drama that’s ineffective as either.”

  2. Curtis – ★½☆☆☆ “Dr. Minx is the tale of Dr. Carol Evans who, while getting rid of her blackmailing boyfriend, encounters two ‘kids’ injured in a bike accident.”

  3. Daniel Zynda – ★☆☆☆☆ “The story is boring and outdated: Carol recently got rid of her husband with the help of her lover to get his money. But now her lover wants to blackmail her.”

Meta Description: “Dr. Minx” (1975), directed by Howard Avedis, is a comedy-drama that follows Dr. Carol Evans, a physician who, after conspiring to murder her husband for his fortune, becomes entangled in blackmail and further deceit.

Title: The Green Elephant (1999)

Alternate Title: Зелёный слоник

Genre: Drama, Horror, Thriller, Comedy

Plot Synopsis: Set in 1986, “The Green Elephant” follows two unnamed junior officers in the Soviet Army who are confined in a penal military prison. Sharing a dimly lit, squalid cell with leaking pipes, the two men endure mental and physical abuse. As isolation takes its toll, one officer becomes increasingly talkative and erratic, while the other grows agitated and violent. Their deteriorating mental states lead to extreme and disturbing behaviors, culminating in acts of graphic violence and depravity. The film explores themes of confinement, madness, and the breakdown of human relationships under duress.

Cast and Crew:

  • Director: Svetlana Baskova
  • Writer: Svetlana Baskova
  • Producers: Svetlana Baskova, Oleg Mavromatti
  • Cast:
    • Vladimir Epifantsev as the Second Officer
    • Sergey Pakhomov as the First Officer
    • Aleksandr Maslaev as the Guard
    • Anatoly Osmolovsky as the Captain
    • Oleg Mavromatti as the Captain’s Voice (uncredited)

IMDb Link: The Green Elephant (1999)

Reviews from Letterboxd:

  1. ｒｙａｎ :] – ★☆☆☆☆ “Salò but awesome”

  2. June – ★★★½ “this happened to me and my buddy john”

  3. Graham – ★★½ “Locked in a cell, two inmates struggle with solitude and mental decline to the point that anything goes, including many of the most unacceptable behaviours in a modern society. The whole scat thing does nothing for me, so that inclusion hurt what was otherwise a stressful slow build to a violently believable ending full of blood n guts (literally).”

Meta Description: “The Green Elephant” (1999), directed by Svetlana Baskova, is a Russian drama-horror film that delves into the psychological and physical deterioration of two Soviet officers confined in a military prison, exploring themes of madness and human degradation.

Title: Mare’s Tail (1969)

Genre: Experimental, Avant-Garde

Plot Synopsis: “Mare’s Tail” is an epic 2.5-hour experimental film by David Larcher that embarks on a journey into inner space. The film begins with a meditative, vibrating drone in a dark auditorium and concludes with the word “REFLECT” scratched onto the film strip, inviting viewers to contemplate their experience. Utilizing techniques such as negative footage, re-filming, stop-motion projection, and optical printing, Larcher deconstructs traditional cinematic perception. The film explores themes of consciousness expansion, memory, and the complex relationship between experience and recollection. “Mare’s tail” refers to elongated, fraying clouds resembling a horse’s tail that signal impending rain, symbolizing the film’s exploration of perception and interpretation.

Cast and Crew:

  • Director: David Larcher
  • Producer: Alan Power
  • Composer: Anthony Moore

IMDb Link: Mare’s Tail (1969)

Reviews from Letterboxd:

  1. hawksquill – ★★★★★ “Massive, world-gobbling cinema. A true marvel of extended technique filmmaking.”

  2. ZephSilver – ★★★★½ “A galaxy pouring out from half-forgotten memories, the subconscious, and dreams of an individual’s life. It’s big, messy, human cinema.”

  3. Andrew – ★★★★★ “So much of this is just incredible—a marvel of juggling every possible avant-garde technique.”

Meta Description: “Mare’s Tail” (1969) is an experimental film by David Larcher that delves into inner consciousness through a 2.5-hour visual odyssey. Employing avant-garde techniques, the film challenges traditional cinematic perceptions and explores themes of memory and experience.

Title: Junior (1985)

Alternate Titles: A Cut Above, Hot Water

Genre: Horror, Thriller

Plot Synopsis: After their release from prison, K.C. and Jo, two former female convicts, seek a fresh start by establishing a marina on a lake in rural Texas. Their plans are disrupted by hostile locals who resent outsiders, particularly a disturbed redneck named Junior. Encouraged by his equally unhinged mother, Junior embarks on a campaign of terror against the women, leading to escalating confrontations and a fight for survival.

Cast and Crew:

  • Director: Jim Hanley
  • Writers: Don Carmody, John Maxwell
  • Cast:
    • Suzanne DeLaurentiis as K.C.
    • Linda Singer as Jo
    • Jeremy Ratchford as Junior
    • Michael McKeever as Bud
    • Ken Roberts as Sheriff

IMDb Link: Junior (1985)

Reviews from Letterboxd:

  1. VIVE_le_FILTH – ★★★☆☆ “Just’a good ol’ boys never meanin’ no harm. … well apart from this time!”

  2. Sofa Sinema – ★★★★☆ “The uncut version is wonderfully irresponsible, wildly unpredictable, and gloriously eighties.”

  3. Dennis Vehlen – ★★★★☆ “An unpredictable video store gem somewhere between 80s comedy and sick backwoods horror that’s overdue to get rediscovered.”

Meta Description: “Junior” (1985) is a horror-thriller directed by Jim Hanley. The film follows K.C. and Jo, two ex-convicts aiming to start anew by building a marina in rural Texas, only to face violent opposition from a deranged local named Junior and his mother.

Title: Jungle Warriors (1984)

Alternate Title: Euer Weg führt durch die Hölle

Genre: Action, Adventure, Drama

Plot Synopsis: A group of American fashion models travels to a South American country for a photo shoot. Their plane is shot down over the jungle by a drug lord’s private army, led by Cesar Santiago. Captured and imprisoned, the models endure various ordeals. Simultaneously, Mafia representatives arrive to negotiate a drug deal with Santiago. The models seize an opportunity to fight back, leading to a violent confrontation. The film explores themes of survival, resilience, and the clash between innocence and corruption.

Cast and Crew:

  • Director: Ernst Ritter von Theumer
  • Writers: Ernst Ritter von Theumer, Robert Collector
  • Cast:
    • Nina van Pallandt as Joanna Quinn
    • Paul L. Smith as Cesar Santiago
    • John Vernon as Vito Mastranga
    • Alex Cord as Nick Spilotro

IMDb Link: Jungle Warriors (1984)

Reviews from Letterboxd:

  1. Lou (rhymes with wow!) – ★★★☆☆ “Sure, I get it; watching a bunch of supermodels take down their abusive captors is super satisfying. I love revenge movies and I will never grow tired of them.”

  2. Mark Tinta – ★★☆☆☆ “A group of fashion models get caught in the middle of a war between a Mexican drug lord and some scheming Mafiosi during a south of the border shoot in this trashy ’80s video store fixture.”

  3. Paul D – ★★★☆☆ “While the Italians were obsessed with re-enacting the Vietnam War or warning us of the dangers of getting eaten by cannibals, the Germans decided to get in on the action too.”

Meta Description: “Jungle Warriors” (1984), directed by Ernst Ritter von Theumer, is an action-adventure drama that follows a group of American fashion models who, after being shot down over a South American jungle, are captured by a drug lord’s army. Facing harrowing challenges, they fight for survival against their captors.

From Sloppy Second Sales's listing.

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